Netflix-original movies hold a distinct charm that is frequently overlooked. Being able to work within the lines of a minimal budget and a cast that, oftentimes, is relatively unknown leaves the staff behind the camera in a crucial position: to make the movie worthwhile.
Recently, I’ve found myself enjoying independent films significantly more than some of the high-budget blockbusters that have become so popular. Although it’s nice to see some fan favorites on the screen, lesser-known productions have a certain individual appeal as well.
The combination of the entertainment I find when browsing Netflix and the endless interviews that come up on my social media feed promoting movies ultimately led me to watch the newest addition to the platform, Hit Man. With Glen Powell drawing the attention of millions in his fairly recent stardom after his role in Anyone But You, I felt the need to tune in to his work and discover what the entertainment industry has been buzzing about.
The movie follows the story of a psychology professor, Gary Johnson (Glen Powell), who breaks his stereotypical “nerdy” title with a significantly more compelling side job as an undercover hitman. In an effort to take down those plotting murder against people in their lives, Gary creates a myriad of personalities, each adapted to align with the views of those who hired him; however, the line between work and his private life becomes blurred as his newest persona, Ron, is hired by Madison (Adria Arjona) who is looking to get rid of her abusive fiance. Along the way, his morals and true identity are scrutinized by those around him.
What grabbed my attention almost immediately was realizing just how many personas Powell was required to portray. His unwavering ability to convert from his socially awkward self to a confident, persuasive hitman kept me enamored and impressed with Powell’s thorough range as an actor.
The numerous aliases provided in this film served not only as entertainment for the viewer, but had lasting effects on Gary’s psyche as well: Ron, the ladies’ man, uses his flirtatious attitude to further the main romantic plot of the movie; Tanner uses his southern drawl and self-ruling way of life to charm the more free-minded people; “X” takes after the unnerving main character of American Psycho, Patrick Bateman, and utilizes his unique articulation of words to explain his meticulous process.
Although this film was a high risk—partially due to it being based on a true story—Powell was confident enough in the outcome that he played a major role in writing the script. His hard work paid off in the high reward it’s receiving with massive praise from the fanbase.
However, if I had to write one complaint about the movie, it would be about the detached ending. I simply felt as if the last couple minutes of the film were rushed in trying to bring the story full circle, but the carefully constructed plot twist helped make up for that.
Gary’s narration gave the film’s atmosphere an air of playfulness as if it shouldn’t be taken entirely seriously. It was almost reminiscent of an early 2000s rom-com in the way that I found a strange comfort in its casual ambiance. Many movies I watch cause me to ruminate about their meaning once the credits start to roll, but Hit Man was an enjoyable popcorn movie up until the very end.
