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Carry-On gives an interesting perspective on overlooked jobs in America while also making me never want to get on an airplane
Rowan Szpieg
, Editor-in-Chief
February 10, 2025
James Mangold’s A Complete Unknown leaves Bob Dylan completely unknown
Elle Manning
, Managing Editor of Operations
February 6, 2025
Doechii’s Tiny Desk performance is a testament to her versatility and growing stardom
Sophia Mix
, Staff Writer
February 5, 2025
Flipturn’s Burnout Days, though including some quality tracks, was overall disappointing
Micah McClarty
, Copy Editor
February 3, 2025
Sebastian Stan’s Golden Globe victory for A Different Man has paved the way for societal change
Rowan Szpieg
, Editor-in-Chief
February 3, 2025
Despite stunning visuals, Mufasa: The Lion King did not to live up to the original The Lion King
Brooke Cullinane
, Staff Writer
January 30, 2025
Kendrick Lamar’s GNX has entirely changed my perception of rap music
Sophia Mix
, Staff Writer
January 27, 2025
Squid Game 2 has secured its position as Netflix’s third most-viewed show ever, and its success is certainly deserved
Leah Griffin
, Staff Writer
January 23, 2025
Juror #2, once again, proves the genius Clint Eastwood exudes behind the camera
Rowan Szpieg
, Editor-in-Chief
January 23, 2025
The Great Impersonator: Halsey’s ironic authenticity
Elle Manning
, Managing Editor of Operations
January 16, 2025
Katy Perry’s new album 143 is not the “Roar” I was hoping for
Katty Anderson
, Staff Writer
January 16, 2025
The wait was worth it for SZA’s long-anticipated release—SOS Deluxe: LANA
Ella Peirce
, Editor-in-Chief
January 15, 2025
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