A final editor’s column: the cycle of lemonade stands, dandelions, columns, and goodbyes Micah McClarty, Editor-in-Chief June 9, 2026
Though its predecessor is clearly superior, “How Did We Get Here?” is a charming album that showcases The Figs’ ability to experiment with folk Micah McClarty, Editor-in-Chief June 6, 2026
“Youth Against Christ” is pointlessly and paradoxically ignorant Micah McClarty, Editor-in-Chief June 3, 2026
From the classroom, to the auditorium, and even to a cubicle, former English teacher Jessi Dykstra will always advocate for compassion Micah McClarty, Editor-in-Chief May 29, 2026
In argument for physical media: my favorite albums I discovered because of CD collection Micah McClarty, Editor-in-Chief May 19, 2026
Abby Powledge’s newest EP, “when to step away,” compels listeners to find the beauty in simplicity Micah McClarty, Editor-in-Chief May 4, 2026
Annabelle Dinda creates a vocally unique, lyrically astounding, no-skip masterpiece in “Some Things Never Leave” Micah McClarty, Editor-in-Chief April 23, 2026
Esha Tewari’s deluxe EP, “What Makes a Girl a Girl,” further establishes her as a leading lady of bedroom pop Micah McClarty, Editor-in-Chief March 2, 2026
FHPS’s $340 million dollar bond shows exactly where the district’s priorities lie Micah McClarty, Editor-in-Chief February 27, 2026
Performer to professor: FHC Orchestra teacher Andrew Pool’s educational pipeline Micah McClarty, Editor-in-Chief February 10, 2026