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Natalie Mix, Editor in Chief
All content by Natalie Mix
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[Photo] TCT’s The Countless Thanks 2022: Sofia Hargis-Acevedo
Sofia Hargis-Acevedo, Editor in Chief
• November 24, 2022
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[Photo] The gratitude monologues – sweater weather
Sofia Hargis-Acevedo, Editor in Chief
• October 5, 2022
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The Central Trend is not your diary—but it was mine
Natalie Mix, Editor in Chief
• May 10, 2022
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too much
Natalie Mix, Editor in Chief
• May 10, 2022
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[Photo] The ongoing, everlasting concept of time: part 2
Sofia Hargis-Acevedo, Social Media Manager
• May 13, 2022
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a million moths
Natalie Mix, Editor in Chief
• April 28, 2022
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[Photo] Breathe in, don’t breathe out
Sofia Hargis-Acevedo, Social Media Manager
• May 2, 2022
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[Photo] The moment before goodbye
Jessie Warren, Print Managing Editor
• April 24, 2022
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Our Flag Means Death’s success proves that the television industry has been waiting for something like this
Natalie Mix, Editor in Chief
• April 20, 2022
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This moment – the end
Natalie Mix, Editor in Chief
• April 20, 2022
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Women’s History Month Q&As 2022
Natalie Mix, Editor in Chief
• March 31, 2022
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Women’s History Month Q&As: Jaye Jelier
Natalie Mix, Editor in Chief
• March 31, 2022
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Meribell Varghese is a proprietor of positivity in her day-to-day human connections
Natalie Mix, Editor in Chief
• March 30, 2022
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Women’s History Month Q&As: Robbin DeMeester
Natalie Mix, Editor in Chief
• March 29, 2022
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Women’s History Month Q&As: Patricia Richardson
Natalie Mix, Editor in Chief
• March 29, 2022
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It was only yesterday
Natalie Mix, Editor in Chief
• March 29, 2022
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Women’s History Month Q&As: Kristy Butler
Natalie Mix, Editor in Chief
• March 22, 2022
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Terra Bagels had all the golden honey warmth of home—and maybe the best latte I’ve ever had
Natalie Mix, Editor in Chief
• March 22, 2022
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Women’s History Month Q&As: Grace Stynes
Natalie Mix, Editor in Chief
• March 18, 2022
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Women’s History Month Q&As: Kimberly Anderson
Natalie Mix, Editor in Chief
• March 17, 2022
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Women’s History Month Q&As: Lisa Penninga
Natalie Mix, Editor in Chief
• March 17, 2022
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Women’s History Month Q&As: Kelli Potts
Natalie Mix, Editor in Chief
• March 17, 2022
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This moment – life without answers
Natalie Mix, Editor in Chief
• March 16, 2022
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“Thank you,” she thinks, as she has nothing to say
Natalie Mix, Editor in Chief
• March 15, 2022
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AFTER DINNER WE TALK DREAMS is an invitation to dance through rosy spring melodies
Natalie Mix, Editor in Chief
• March 8, 2022
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You’ve always said too much
Natalie Mix, Editor in Chief
• March 1, 2022
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This moment – paint me a rainbow
Natalie Mix, Editor in Chief
• February 25, 2022
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[Photo] Leaning into the change and learning to breathe once more
February 23, 2022
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[Photo] 2022 Winterfest Court Q&As
February 25, 2022
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Sammie Wing lives her life for the stories it will tell
Natalie Mix, Editor in Chief
• February 22, 2022
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Bagel Kitchen might be a stop along the journey, but never the destination
Natalie Mix, Editor in Chief
• February 22, 2022
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February 14 – eighteen, no pressue
Natalie Mix, Editor in Chief
• February 17, 2022
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February 13 – the rhythm of little things
Natalie Mix, Editor in Chief
• February 17, 2022
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February 12 – the Gatsby effect
Natalie Mix, Editor in Chief
• February 17, 2022
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February 11 – keep me here
Natalie Mix, Editor in Chief
• February 17, 2022
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February 10 – don’t forget
Natalie Mix, Editor in Chief
• February 16, 2022
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February 9 – wash, rinse, repeat
Natalie Mix, Editor in Chief
• February 16, 2022
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February 8 – today on that couch
Natalie Mix, Editor in Chief
• February 15, 2022
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Seven days of poems—before eighteen
Natalie Mix, Editor in Chief
• February 15, 2022
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Today, she’s eighteen
Natalie Mix, Editor in Chief
• February 15, 2022
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Roxy is a bejeweled bookend between utterly immersive fictional worlds
Natalie Mix, Editor in Chief
• February 8, 2022
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[Photo] Your presence at school is important, especially on Count Day
Gigi Sinicrope, Staff Writer
• February 8, 2022
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[Photo] The teacher who influenced my love for writing
Man Cing, Staff Writer
• February 2, 2022
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Through fantasy universes, students have shaped worldviews that brim with empathy and adventure
Natalie Mix, Editor in Chief
• February 3, 2022
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This moment – finally February
Natalie Mix, Editor in Chief
• February 2, 2022
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She’s made of something not meant for this world
Natalie Mix, Editor in Chief
• February 1, 2022
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AURORA’s The Gods We Can Touch is a divine gallery of art worthy of becoming lost within
Natalie Mix, Editor in Chief
• January 25, 2022
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Drew Wright collects valuable experience through the passions that energize his life
Natalie Mix, Editor in Chief
• January 20, 2022
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Flowers in this garden, poetry on this page
Natalie Mix, Editor in Chief
• January 18, 2022
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This moment – broken teacups and butterfly wings
Natalie Mix, Editor in Chief
• January 12, 2022
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Five pilot episodes that just might be worth your time
Natalie Mix, Editor in Chief
• January 11, 2022
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Disney’s Encanto dances with bursts of color and sound that outshine the lackluster plot
Natalie Mix, Editor in Chief
• December 7, 2021
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[Photo] The students and teachers at FHC are doing their best to ensure success on upcoming exams
Alex Smith, Junior Writer
• December 7, 2021
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The halls of FHC tell the stories of the students who have found their paths through them
Natalie Mix, Editor in Chief
• December 2, 2021
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She’s trying to be happy, despite it all
Natalie Mix, Editor in Chief
• November 30, 2021
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TCT’s The Countless Thanks 2021: Natalie Mix
Natalie Mix, Editor in Chief
• November 25, 2021
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Dear November, my coldest regards
Natalie Mix, Editor in Chief
• November 16, 2021
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Play Q&As: Israell King
Natalie Mix, Editor in Chief
• November 11, 2021
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The Curious Incident of the Dog in the Night-time — Fall Play Q&As
Avery Jordan, Natalie Mix, and Emma Zawacki
• November 11, 2021
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Play Q&As: Jonathan Mossner
Natalie Mix, Editor in Chief
• November 10, 2021
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Play Q&As: Zach Guikema
Natalie Mix, Editor in Chief
• November 10, 2021
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Play Q&As: Tara Brace
Natalie Mix, Editor in Chief
• November 10, 2021
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